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Rock and Roll (600)

Music.  It has the ability to bring people together.  It can stir up hidden emotions.  It can cause you to get up and physically move.  It can help you through your work day.  It separates generations.  We could describe it for page after page in terms both specific and vague but music simply means different things to different people.  Likely, many of these things were on the mind of the builders of the Rock and Roll Hall of Fame in Cleveland, Ohio, a tribute to those who built up the genre of Rock and Roll.

Their intentions certainly seemed clear enough.  Their website states that “The Rock and Roll Hall of Fame honors the legendary performers, producers, songwriters, disc jockeys and others who have made rock and roll the force that it is in our culture”.  For our purposes, we are going to focus on the performer section of the Hall.  That being said, the first rule of eligibility is very simple.  Once an artist has gone twenty five years after the release of their first record, they become eligible.  After that it becomes a little murky.  The Rock and Roll Hall of Fame states that “criteria include the influence and significance of the artists’ contributions to the development and perpetuation of rock and roll”.  Influence and significance is certainly open to interpretation.  For that matter, so is Rock and Roll.  When Bill Haley sang Rock around the Clock over sixty years ago was he describing a sound, a look or maybe just an attitude?  Did the songwriters just like the word “rock”?  The origin of Rock music is so difficult to pinpoint its subsequent evolution is just as equally hard to chart.

With these vague parameters we at Not in Hall of Fame put our own committee together and came up with the top 250 artists whom we feel deserve consideration for enshrinement in Cleveland.  Are we right?  Are we wrong?   We know two things for sure; the first is that while compiling this list we felt we could make a viable case for multiple artists to be in our number one slot, the second was that it was a blast coming up with it.  Let us know what you think and based on who gets inducted, who becomes newly eligible, your opinions and how our own perceptions change, we will see how we rank them in the following year.    

Until then, Keep on Rockin’ in the Free World!

Sincerely,

 

The Not in Hall of Fame Rock and Roll Committee.

The definitive girl group of the 90’s, the sultry and sassy En Vogue was a combination of the girl groups of the past and the New Jack Swing sound of their day.  In many ways they picked up where the Pointer Sisters left off and set the table for Destiny’s Child in the decade that followed.  That “sandwich” they are…
Australia's Sia was an anomaly as she did not hit it big until she was in her late 30s, a next-to-impossible occurrence for a pop star.  Sia was mostly in the background, though she finally broke through with her sixth album (1000 Forms of Fear), and her artistic style and booming voice lent itself to electro-pop, EDM, and any style…
They may have been in the shadows of Madchester bands (The Happy Mondays & The Stone Roses) and later Brit Pop phenoms (Blur & Oasis) but a look back at the catalogue of the Charlatans shows a band that had was unfortunate to have had to take a back seat to anybody.  As they ever escaped those huge shadows (and…
Another Reggae superstar from Jamaica, Lee “Scratch” Perry has been considered one of the more eccentric figures of the genre. The main contribution of Perry was that of the perpetuation of “Dub”, which was at its roots was a basic remixing of existing songs. Whether he created the genre (some say it was King Tubby) is still somewhat in doubt,…
The critically acclaimed Jazz “supergroup” receives credit for being one of the most important (some have called them the most important) Jazz Fusion group in history. Like many such designations the label is a debatable one, though it is virtually impossible to belittle their influence on the subgenre they helped to pioneer. With the legendary Miles Davis already in the…
The first to achieve success upon leaving N.W.A., the first few solo albums of Ice Cube featured the same level of controversy he was accustomed to with his former group.  As much as he was criticized for apparent racist and misogynistic rhymes, he was equally applauded for his social awareness.  For Cube’s solo career to get into the Hall it…
Depending on whom you ask in the Heavy Metal world, Venom was either one of the most important Heavy Metal bands or they were a complete non-factor. Venom is considered one of the first Extreme Heavy Metal bands of note, and although their record sales were dismal (as were many others on this list) their development toward Black Metal, Death…
Naturally, the bulk of the bands on this list (or in the actual Rock and Roll Hall of Fame) are from the United States. Others on this list were praised for their ability to merge multiple styles. The Blasters were easily in both categories, but the Blasters were focused on blending musical genres that were primarily rooted in America. They…
Dubbed the Mexican Madonna, it can only be imagined what heights the career of Selena would have reached had she not have been killed two weeks before her 24th birthday. Though she was not widely known in the Anglo world prior to her death, she was a massive star in Texas and the undisputed queen of Tejano Music. She was…
M83 is a French electronic project led by Anthony Gonzalez, celebrated for creating expansive, cinematic soundscapes that blend 1980s synth-pop nostalgia with the wall-of-sound textures of shoegaze. Their music often feels like the soundtrack to an epic, "teen-dream" adventure, using soaring melodies and explosive crescendos to evoke a sense of cosmic wonder and deep emotional yearning.   Does this equate…
They were dark and moody and one of the early stars of New York City’s No Wave scene. Swans took Noise Rock and slowed it down creating a murky texture of music that was beautiful as it could be depressing. With future albums, Swans proved their ability as musicians as they utilized various other styles but still created albums that…
The witty lyrics of the Cockney voiced Ian Dury became a surprise hit in his native Britain. Originally a Pub Rocker, Dury delved into a Punk Rock and Disco to interesting results. With his backing band, The Blockheads, Ian Dury became a superstar in England, though his thick Cockney accent likely hampered him from American success. It is because of…
The Black Eyed Peas got their start as a three man outfit who were a decent (though not commercially successful) Alternative Rap group. They added Stacy Ferguson, embraced Pop elements and became International superstars. Unfortunately, this was a group did not evolve; rather they devolved and literally sold their soul for the sale of record sales. They may sell a…
Maybe even too raw for Punk Rock (if that is at all possible), the all girl group, the Slits helped break down the gender doors. The Slits were among the first female group empowered in their own sexuality and were able to deliver a message that was campy yet lyrically deeper than the casual fan would give them credit for.…
The Knife was an influential Swedish electronic music duo formed in 1999 by siblings Karin Dreijer Andersson and Olof Dreijer. Known for their experimental and often provocative approach to music, they blended elements of electronic, pop, and avant-garde sounds. Their albums, such as "Silent Shout" and "Shaking the Habitual," explored themes of identity, sexuality, and societal norms. The Knife's unique…
Of the many Punk bands that emerged from L.A. (or really anywhere for that matter), the Gun Club could have conceivably drew from more outside influences than anyone else. With a serious Blues injection to their music, the Gun Club indirectly helped create a harder Alternative Country market that really hadn’t existed before and a list of successful bands who…
Much like the Gang of Four, Orange Juice melded Post Punk with Disco rhythms. The band was dubbed the leaders of the Scottish independent Pop uprising and their complex melodies were catchy. As a Post Punk band, they didn’t really sing of angst and anger but of love and romance. Without that aggression, their sophisticated Pop sound struggled to find…
There can be no argument that this was a weaker effort than Paul Weller’s work with the Jam, but by no means does this outfit deserve some of the bad press it received. The Blue Eyed Soul Sophist-Pop was very textured and diverse but with the love that the Jam had within Great Britain it was as if they wanted…
Although the bulk of the Post Punk bands came from England, a great one came out of Boston that was as dark and complex as any other Post Punk band out there at the time. With a style considered unorthodox (though everything they did was carefully considered) they have been called one of the more important acts in American Alternative…
Although he has been classified as a British Folk star, John Martyn was an artist who easily wore many hats. Martyn was a Singer/Songwriter whose guitar skills borrowed equally from the Mississippi Delta as the plains of Scotland. An experimental artist who subtly embraced multiple genres as his career progressed, John Martyn’s talent was never in question, though for the…