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Rock and Roll (591)

Music.  It has the ability to bring people together.  It can stir up hidden emotions.  It can cause you to get up and physically move.  It can help you through your work day.  It separates generations.  We could describe it for page after page in terms both specific and vague but music simply means different things to different people.  Likely, many of these things were on the mind of the builders of the Rock and Roll Hall of Fame in Cleveland, Ohio, a tribute to those who built up the genre of Rock and Roll.

Their intentions certainly seemed clear enough.  Their website states that “The Rock and Roll Hall of Fame honors the legendary performers, producers, songwriters, disc jockeys and others who have made rock and roll the force that it is in our culture”.  For our purposes, we are going to focus on the performer section of the Hall.  That being said, the first rule of eligibility is very simple.  Once an artist has gone twenty five years after the release of their first record, they become eligible.  After that it becomes a little murky.  The Rock and Roll Hall of Fame states that “criteria include the influence and significance of the artists’ contributions to the development and perpetuation of rock and roll”.  Influence and significance is certainly open to interpretation.  For that matter, so is Rock and Roll.  When Bill Haley sang Rock around the Clock over sixty years ago was he describing a sound, a look or maybe just an attitude?  Did the songwriters just like the word “rock”?  The origin of Rock music is so difficult to pinpoint its subsequent evolution is just as equally hard to chart.

With these vague parameters we at Not in Hall of Fame put our own committee together and came up with the top 250 artists whom we feel deserve consideration for enshrinement in Cleveland.  Are we right?  Are we wrong?   We know two things for sure; the first is that while compiling this list we felt we could make a viable case for multiple artists to be in our number one slot, the second was that it was a blast coming up with it.  Let us know what you think and based on who gets inducted, who becomes newly eligible, your opinions and how our own perceptions change, we will see how we rank them in the following year.    

Until then, Keep on Rockin’ in the Free World!

Sincerely,

 

The Not in Hall of Fame Rock and Roll Committee.

Naturally, the bulk of the bands on this list (or in the actual Rock and Roll Hall of Fame) are from the United States. Others on this list were praised for their ability to merge multiple styles. The Blasters were easily in both categories, but the Blasters were focused on blending musical genres that were primarily rooted in America. They…
Known primarily as a Goth band, The Sisters of Mercy combined dark imagery with an intriguing blend of Alternative Pop, Metal and Psychedelic influences.  A very polarizing band, their brooding fans identified with music on a very deep level.  Those who were not fans found them a self-aggrandizing group that was not as good as they thought they were.  Regardless…
Depending on whom you ask in the Heavy Metal world, Venom was either one of the most important Heavy Metal bands or they were a complete non-factor. Venom is considered one of the first Extreme Heavy Metal bands of note, and although their record sales were dismal (as were many others on this list) their development toward Black Metal, Death…
It may be forgotten just how big Wham! was in the 80’s though we suspect that many thirty something women remember. The duo of George Michael and Andrew Ridgeley (or just George Michael and some other guy riding off his coat tails) had a series of Pop success that few could rival. As bubblegum as it sounded, the carefully constructed…
The British band, Simply Red was a major force in England with their sophisticated brand of Blue Eyed Soul. As amazing as their sound was they were criticized by some as their greatest hits were often covers of older Soul songs but they definitely put their own spin on it and with some American success they could receive a brief…
Of the many Punk bands that emerged from L.A. (or really anywhere for that matter), the Gun Club could have conceivably drew from more outside influences than anyone else. With a serious Blues injection to their music, the Gun Club indirectly helped create a harder Alternative Country market that really hadn’t existed before and a list of successful bands who…
The master of shredding is considered by many as the best Heavy Metal guitarist that lived and even his detractors will have a hard time arguing that he upped the ante with his Classical infused Metal licks. Problem is; Yngwie Malmsteen has many detractors who point to a lack of progression and emotion in his work and paint him as…
Already inducted into the Hall as a member of the Impressions, Jerry Butler picked up where his former group left off and created a very solid solo career of his own. Butler’s solo career generated a long string of R&B hits, and was a big part of establishing the Chicago Soul scene. Still performing and still a huge part of…
They were dark and moody and one of the early stars of New York City’s No Wave scene. Swans took Noise Rock and slowed it down creating a murky texture of music that was beautiful as it could be depressing. With future albums, Swans proved their ability as musicians as they utilized various other styles but still created albums that…
Although Men at Work were not the first successful band from Australia, they may very well be the band most associated with it. With a series of catchy videos that featured radio friendly songs, Men at Work were an international phenom in the first half of the 80’s. Their music was underrated as they drew from more influences (a touch…
Initially in the shadow of fellow Minnesotans, Husker Du, Soul Asylum tasted the big time in the tails of the Seattle grunge movement in the early 90’s. By that time, they had been around a few years but they already had the Grunge look, just enough of that sound and songs that were melodic enough to grant them success in…
The witty lyrics of the Cockney voiced Ian Dury became a surprise hit in his native Britain. Originally a Pub Rocker, Dury delved into a Punk Rock and Disco to interesting results. With his backing band, The Blockheads, Ian Dury became a superstar in England, though his thick Cockney accent likely hampered him from American success. It is because of…
Drawing from the American Heartland with a healthy mix of Adult Contemporary, Bruce Hornsby and the Range delivered the mid 80’s a dose of piano based Americana that racked up fans and acclaim. Hornsby won the 1987 Best New Artist Grammy and looked to have a career of healthy album sales ahead of him. That didn’t quite happen as Hornsby…
They may have formed as somewhat of an afterthought by artists who felt creatively stunted by their main groups (The Pixies and Throwing Muses respectively), but the American Alternative group, the Breeders had a shot to be one of the top bands of the 90’s.  Their acclaimed 1993 album, Last Splash showed off their skills and a prime spot on…
The definitive girl group of the 90’s, the sultry and sassy En Vogue was a combination of the girl groups of the past and the New Jack Swing sound of their day.  In many ways they picked up where the Pointer Sisters left off and set the table for Destiny’s Child in the decade that followed.  That “sandwich” they are…
Perhaps way ahead of their time, Camper Van Beethoven was merging whatever styles they felt like and was one of the darlings of the underground scene of the 1980’s. The styles they merged ranged anywhere from various World Music influences, Punk, Ska, Folk and virtually anything else they wished to. The California band was absurdly creative and was a very…
They may have been in the shadows of Madchester bands (The Happy Mondays & The Stone Roses) and later Brit Pop phenoms (Blur & Oasis) but a look back at the catalogue of the Charlatans shows a band that had was unfortunate to have had to take a back seat to anybody.  As they ever escaped those huge shadows (and…
There can be no argument that this was a weaker effort than Paul Weller’s work with the Jam, but by no means does this outfit deserve some of the bad press it received. The Blue Eyed Soul Sophist-Pop was very textured and diverse but with the love that the Jam had within Great Britain it was as if they wanted…
Australia's Sia was an anomaly as she did not hit it big until she was in her late 30s, a next-to-impossible occurrence for a pop star.  Sia was mostly in the background, though she finally broke through with her sixth album (1000 Forms of Fear), and her artistic style and booming voice lent itself to electro-pop, EDM, and any style…
As Rap began to take over and became more prominent, multiple sub genres emerged that employed a harder edge. Because of this, DJ Jazzy Jeff and the Fresh Prince were able to dominate the radio with the bubbly PG rhymes.