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Rock and Roll (588)

Music.  It has the ability to bring people together.  It can stir up hidden emotions.  It can cause you to get up and physically move.  It can help you through your work day.  It separates generations.  We could describe it for page after page in terms both specific and vague but music simply means different things to different people.  Likely, many of these things were on the mind of the builders of the Rock and Roll Hall of Fame in Cleveland, Ohio, a tribute to those who built up the genre of Rock and Roll.

Their intentions certainly seemed clear enough.  Their website states that “The Rock and Roll Hall of Fame honors the legendary performers, producers, songwriters, disc jockeys and others who have made rock and roll the force that it is in our culture”.  For our purposes, we are going to focus on the performer section of the Hall.  That being said, the first rule of eligibility is very simple.  Once an artist has gone twenty five years after the release of their first record, they become eligible.  After that it becomes a little murky.  The Rock and Roll Hall of Fame states that “criteria include the influence and significance of the artists’ contributions to the development and perpetuation of rock and roll”.  Influence and significance is certainly open to interpretation.  For that matter, so is Rock and Roll.  When Bill Haley sang Rock around the Clock over sixty years ago was he describing a sound, a look or maybe just an attitude?  Did the songwriters just like the word “rock”?  The origin of Rock music is so difficult to pinpoint its subsequent evolution is just as equally hard to chart.

With these vague parameters we at Not in Hall of Fame put our own committee together and came up with the top 250 artists whom we feel deserve consideration for enshrinement in Cleveland.  Are we right?  Are we wrong?   We know two things for sure; the first is that while compiling this list we felt we could make a viable case for multiple artists to be in our number one slot, the second was that it was a blast coming up with it.  Let us know what you think and based on who gets inducted, who becomes newly eligible, your opinions and how our own perceptions change, we will see how we rank them in the following year.    

Until then, Keep on Rockin’ in the Free World!

Sincerely,

 

The Not in Hall of Fame Rock and Roll Committee.

With a long and storied history in Canada (peppered with a few minor hits in the United States), April Wine left behind a legacy of Hard Rock tunes and Power Ballads. Multi dimensional and great live performers, they are also very underrated and surprisingly have yet to reach the Canadian Music Hall of Fame. Without that accolade, there is little…
Best known for being one of the primary protest bands against the Vietnam War, Country Joe McDonald was a voice that rang throughout the American counterculture and may have helped define an era. Maybe that’s the problem as music like that does not have a long shelf life and the music which was so topical then seems to have escaped…
There are those in the Hall for one album, and it can even be debated in selected cases that it is for one song. With that said, can a case be made for the Kingsmen whose lone hit was a song that they didn’t even write? It is very hard to argue that the Kingsmen rendition of Louie Louie could…
Just when it thought that At the Drive-in was poised for a breakthrough they broke up.  The Texas based band reined as an important act of the Post-Hardcore scene.  Their music was well crafted and among the most cerebral and cryptic of its time.  They developed a sizeable cult following but as we have seen from the Hall and discussed…
Plucked from musical obscurity by Clint Eastwood when he used one of her songs on his film, Play Misty for Me, Roberta Flack’s smooth and soulful voice quickly found audiences on both the Pop and R&B stations. Flack could appeal to any audience and her sophisticated voice and classy exterior made her style of music some of the most romantic…
Picking up where KISS left off (which depending on your point of view is either good or bad) Twisted Sister had a pair of the most iconic videos of the early MTV age and with a eccentric blend of 70’s Glam and 80’s Hard Rock they seemed poise to have a long run. It didn’t happen, but with a huge…
As one of the bands that helped usher in the Metal ideal (they have received credit for being one of the links between the Psychedelic sound and Metal) Vanilla Fudge was a very interesting band that was at its most basic, a loud band. Like future Metal and Hard Rock acts, Vanilla Fudge was at their when they played their…
Normally a novelty band wouldn’t get consideration from the Rock and Roll Hall of Fame, but Sam the Sham & the Pharaohs were not your traditional group. In fact, they may have been the greatest Garage band ever.
Considered one of the more influential Hip Hop duos of the early 90’s, the East Coast rap pair of Gang Stare perfected the blend of New Jack Swing and Rap. They were masters of creating beats and combing them with socially aware lyrics. Because their skills were so bountiful, they often collaborated with other artists due to their high demand.…
Of the many subgenres that came out of the 80’s, Dream Pop was the basic merging of Ambient sounds with Post Punk. The Scottish group, Cocteau Twins was one of the first to be associated with that genre and as such created atmospheric music that was stylish and hypnotic. Their Dream Pop style that they perfected would prove to be…
A Hard Rocker who was on the fringes of Metal and Album Rock, Billy Squier exhibited a series of success during the first half of the 80’s. With some MTV success and a few singles to his credit, Squier was not able to keep momentum going and his career essentially fizzled out. Having said that, Squier was a solid guitarist…
The formula for Rock success is generally not two girls with a guitar but the politically aware Indigo Girls took their songwriting to levels of popularity they likely never imagined. With lyrical stances of both social and political natures, they gained numerous fans and were able to deliver their messages in a harmonious fashion. They gained enough success and they…
The Streets, led by the enigmatic Mike Skinner, redefined the British music landscape in the early 2000s by blending UK garage, hip-hop, and indie rock into a gritty, conversational style known as "geezer rap." Skinner’s debut masterpiece, Original Pirate Material (2002), acted as a cultural lightning rod, capturing the mundane reality of British youth culture—think rainy high streets, kebab shops,…
Considered by many Americans to be a one hit wonder, the Norwegian band, A-ha were actually anything but. Although their breakthrough song and video, “Take On Me” was the song they are most known for, in Europe they had monumental success. At their best as a Synth Pop act, A-ha forayed into Alt Rock elements and had developed a solid…
Far more than just the Andy Warhol endorsed ingénue who collaborated with the Velvet Underground, Nico had a very successful solo career of her own which helped push the boundaries of Experimental Rock and proved to be quite the musician in her own right. As she did not get in with the Velvets, it is probably unlikely that she will…
From the musical abyss known as the era between the origin of Rock and Roll and The British Invasion, Bobby Vee was one of that era’s most successful artists. His Brill Building Pop was well crafted and although he was one of that generations “safe artists”, the songs he sang were catchy and still can generate smiles today. Had Vee…
With an Electronic style that looked to the past with a push to the future, England’s Underworld may be one of the most important Electronic based acts of the 1990’s. They pushed the boundaries of slickly crafted House music and sold albums and impressed critics in the process. Likely, their style of music will not see recognition in the Rock…
Although they were not commercially successful, Uncle Tupelo has often been cited as one of the more influential acts in Alternative Country history. With strong elements of traditional Country music and the Punk ideology that the band grew up with, they became underground stars. Uncle Tupelo will likely not get indicted, although its lead member, Jeff Tweedy has an excellent…
A rare case of an American band finding success in Europe yet virtually unknown in their own country, the Sparks were probably not a group designed to find success in America anyway. Looking like a Novelty act, Sparks was constantly reinventing their sound running the gauntlet of Glam Rock, New Wave, Synth Pop and Chamber Pop. Far more crafted than…
Another in the series of British bands that failed to become commercially viable in the States (though they were in England) the Move were in some ways like the “anti-British Invasion” as their music was an ironic take of the sound around them. The Move was a band that was always furthering their craft, and had elements of Progressive Rock…