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Rock and Roll (591)

Music.  It has the ability to bring people together.  It can stir up hidden emotions.  It can cause you to get up and physically move.  It can help you through your work day.  It separates generations.  We could describe it for page after page in terms both specific and vague but music simply means different things to different people.  Likely, many of these things were on the mind of the builders of the Rock and Roll Hall of Fame in Cleveland, Ohio, a tribute to those who built up the genre of Rock and Roll.

Their intentions certainly seemed clear enough.  Their website states that “The Rock and Roll Hall of Fame honors the legendary performers, producers, songwriters, disc jockeys and others who have made rock and roll the force that it is in our culture”.  For our purposes, we are going to focus on the performer section of the Hall.  That being said, the first rule of eligibility is very simple.  Once an artist has gone twenty five years after the release of their first record, they become eligible.  After that it becomes a little murky.  The Rock and Roll Hall of Fame states that “criteria include the influence and significance of the artists’ contributions to the development and perpetuation of rock and roll”.  Influence and significance is certainly open to interpretation.  For that matter, so is Rock and Roll.  When Bill Haley sang Rock around the Clock over sixty years ago was he describing a sound, a look or maybe just an attitude?  Did the songwriters just like the word “rock”?  The origin of Rock music is so difficult to pinpoint its subsequent evolution is just as equally hard to chart.

With these vague parameters we at Not in Hall of Fame put our own committee together and came up with the top 250 artists whom we feel deserve consideration for enshrinement in Cleveland.  Are we right?  Are we wrong?   We know two things for sure; the first is that while compiling this list we felt we could make a viable case for multiple artists to be in our number one slot, the second was that it was a blast coming up with it.  Let us know what you think and based on who gets inducted, who becomes newly eligible, your opinions and how our own perceptions change, we will see how we rank them in the following year.    

Until then, Keep on Rockin’ in the Free World!

Sincerely,

 

The Not in Hall of Fame Rock and Roll Committee.

Although they did not receive the same the level of commercial success or critical acclaim as other Country Rock bands, The Nitty Gritty Dirt Band is one of the longest lasting and pivotal bands of the genre. They came out of the Southern California Folk Rock movement and were part of the group that melded it with Country. The Nashville…
Earlier entries discuss the possibility of a Trip Hop entrant into the Rock and Roll Hall of Fame.  A possible wildcard in that equation would be Tricky, who upon leaving Massive Attack delivered as much celebrated Trip Hop as anyone else.  His debut album is considered a landmark in the genre and he has been delivering great music on his…
When the United States grew tired of the girl group formula, Patti LaBelle and the Bluebelles found themselves without a record deal and an American audience to perform to. They reinvented themselves as LaBelle, a Rock infused Funk /Proto-Disco group with Space Age costumes and a “new attitude”. Their iconic hit, Lady Marmalade still resonates today and it has been…
As the second most famous band from Sweden, Roxette scored many a hit in North America and Europe with their catchy hooks and sweet sounding Pop songs. This formula made them very successful and popular but with the lone exception of their Swedish brethren, ABBA, there really isn’t a pure Pop band in the Hall. Considering that it took ABBA…
Frank Black is worthy of the Rock and Roll Hall of Fame as a member of the Pixies, and while they are not yet (as of this writing anyway) in the Hall, there is an excellent shot.  As for the solo career of Frank Black, it may have yielded equal acclaim as his former band but commercially and influentially speaking…
Like many hard driving Post Grunge bands, Staind falls into the category of sounding too much like their predecessors to anger critics, but more than enough to appeal to the fans who like that musical style. Really, they can’t win. With that type of equation, they will likely be remembered as a successful footnote in the Rock and Roll canon,…
From the Elephant 6 group (maybe that should be a Rock and Roll HOF induction), of Montreal could be the best project yet. Led by Kevin Barnes, the material of this band covers a wide range of emotions and experimental sounds without going too far in the land of quirkiness. This is one of those bands that has the potential…
Although the Rolling Stones have been often thought of as the chief rival to the Beatles in the 60’s, it was the fellow Liverpool alumni Gerry and the Pacemakers who was the first to challenge the Fab Four in terms of popularity. Their first three singles charted #1 in the U.K. which made them the first band to accomplish that…
A major star from the Jamaican Dancehalls, Sean Paul became an International superstar with fun and accessible music. With a series of top ten hits in the 00’s, Paul definitely made a mark on the musical map, but as much as we love the music of Jamaica, the Dancehall style is not likely to gather an inductee to the Hall.…
Though other artists from Australia have been considered more important, it is difficult to dispute that the first key band from down under was the Easybeats. With a British Invasion sound they quickly dominated their own country and were later able to penetrate the British market. They did however fail to make serious headway in America though those who are…
Despite coming out of San Francisco in the late 60’s, the Flamin’ Groovies were not your typical San Francisco band. They were not a “Hippie” band, nor were they driven by any Psychedelic influences. Like Big Star, the Flamin’ Groovies were a big part of creating the “Power Pop” genre. They were never hit makers but their influence was far…
With the Alternative boom in the 90’s, other forms of music got a more mainstream look. Metal fans were no different, and White Zombie gained more exposure as some fans were looking for something a little different. With White Zombie they founded the darkest elements of Horror imagery come to life with a pulsating Metal edge. Their leader, Rob Zombie…
With her quiet subdued voice and poetic lyrics, Suzanne Vega neither looked nor sounded like a Rock star, yet there she was. Vega helped usher in a new series of female Singer/Songwriters and showed record companies that not only were they culturally relevant, they could be commercially viable. As much as her first big hot, Luka was a surprise hit…
At some point in time the Rock and Roll Hall Fame might induct Bob Geldof for his charitable work with Live Aid (and rightfully so we think), but the question of whether Geldof is worthy musically is very much in doubt. His musical high water mark was the artistically brilliant band, the Boomtown Rats which was amongst the most cerebral…
When it is said that a musician redefined sexuality, it could be argued that this statement could only meant for Grace Jones. Her androgynous beauty, swaggering confidence and aggressive vocals helped alter Dance music at the advent of the 80’s. Jones shifted away from music to concentrate on a film career, but had she focused primarily on music, she likely…
One of the last Hair Metal Bands to make it, Skid Row came out of the gates with as successful album and followed it up with some decent efforts with a harder edge. Their controversial lead singer, the always vocal, Sebastian Bach was the quintessential Metal front man, though he often garnered negative attention (most notably wearing an “Aids Kills…
In Rap’s Golden Age, most of the emerging stars were considered one dimensional. Not so, for Boogie Down Productions, which many critics have labeled as the most versatile and influential of their genre.
When you fly the flag of the Blues, many Rock and Roll pundits tend to take notice. For various reasons, Robert Cray was noticed by the critics and Blues followers, but he never seemed to gain the respect like those who came before him.
A lot of big things were pegged for Hootie and the Blowfish.  Their 1994 album, Cracked Rear View, dominated the radio with their mainstream appeal of Country and Blues based light Rock and Roll found a massive audience and an unexpected “cool” appeal.  They never did replicate that success and though that was expected, it wasn’t expected just how fast…
Although they were certainly white, our next listed band proved to be anything but average. The Average White Band was a Scottish group who blazed through the 70’s with a string of Soul, Funk and Disco tunes that displayed technical brilliance. They blurred the expected color lines of music and anyone who just heard them (that is without hearing their…