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Rock and Roll (591)

Music.  It has the ability to bring people together.  It can stir up hidden emotions.  It can cause you to get up and physically move.  It can help you through your work day.  It separates generations.  We could describe it for page after page in terms both specific and vague but music simply means different things to different people.  Likely, many of these things were on the mind of the builders of the Rock and Roll Hall of Fame in Cleveland, Ohio, a tribute to those who built up the genre of Rock and Roll.

Their intentions certainly seemed clear enough.  Their website states that “The Rock and Roll Hall of Fame honors the legendary performers, producers, songwriters, disc jockeys and others who have made rock and roll the force that it is in our culture”.  For our purposes, we are going to focus on the performer section of the Hall.  That being said, the first rule of eligibility is very simple.  Once an artist has gone twenty five years after the release of their first record, they become eligible.  After that it becomes a little murky.  The Rock and Roll Hall of Fame states that “criteria include the influence and significance of the artists’ contributions to the development and perpetuation of rock and roll”.  Influence and significance is certainly open to interpretation.  For that matter, so is Rock and Roll.  When Bill Haley sang Rock around the Clock over sixty years ago was he describing a sound, a look or maybe just an attitude?  Did the songwriters just like the word “rock”?  The origin of Rock music is so difficult to pinpoint its subsequent evolution is just as equally hard to chart.

With these vague parameters we at Not in Hall of Fame put our own committee together and came up with the top 250 artists whom we feel deserve consideration for enshrinement in Cleveland.  Are we right?  Are we wrong?   We know two things for sure; the first is that while compiling this list we felt we could make a viable case for multiple artists to be in our number one slot, the second was that it was a blast coming up with it.  Let us know what you think and based on who gets inducted, who becomes newly eligible, your opinions and how our own perceptions change, we will see how we rank them in the following year.    

Until then, Keep on Rockin’ in the Free World!

Sincerely,

 

The Not in Hall of Fame Rock and Roll Committee.

With the music world looking for Alternative superstars, the table was set for the Offspring’s brand of Punk, Pop, and Metal to be a hit. They came across like overnight sensations (they weren’t) and their 1994 album, Smash, remains the best-selling independent album in history. They would become known for their sarcastic and fun lyrics and always rooted their themes…
If there is a Mecca in the British music industry it would have to be Manchester. It is there where we have our next entrant; The Buzzcocks. Although they did not have the same impact as the Sex Pistols, a band they opened for, their influence in the Punk world may be almost as important.
With distinct riffs and precise timing, Queens of the Stone Age cultivated a broad appeal. They had a throwback quality to Classic Rock fans though with a current modern and Alternative feel. As such, they managed significant radio play without having to sacrifice what made them unique as a band. As of this writing, they would likely have to increase…
What should have been. This is a sentence that seems to permeate the history of Rock and Roll, especially on a list such as this. We can’t help but think that this sentence may fit Mott the Hoople better than anyone else as the Ian Hunter-led band seemed to inspire so much yet accomplish so little.   Maybe stating that…
With the 2009 Rock and Roll Hall of Fame induction of Metallica many eyes looked to the other members of the “Big Four of Thrash Metal”. Does this pave the way for their induction? Time will tell, but the odds are that if any of the other bands in that elite group get in, Slayer is probably the group with…
Talking about Motown was certainly nothing new during the NIHOF Rock and Roll discussions. However, the topic generally came up when discussing forgotten and neglected 60’s artists from the legendary label, and rarely for the achievements of the decade that followed. Yet one of the Detroit label’s biggest successes was a 70’s group that originated from the American Deep South…
It rarely fails. As new genres emerge there seems to a need to anoint a pair of songwriters as the new Lennon and McCartney. New Wave did so with the pair of Chris Difford and Glenn Tillbrook; better known as the creative unit behind Squeeze.
There are some bands that seem poised to break through the stratosphere but for whatever reason just can’t. The Cult seems to be one of those bands that while although they were very successful; they just seemed to fall short of what many thought they could have been.
Although Alice in Chains has been pegged primarily as a Grunge band, of the slew of Seattle bands AIC may have been the one that drew more from the Heavy Metal set than the rest.  They were very successful, charting often despite gloomy material and a dirty Post Punk sound. Equally adept at acoustic performances, AIC was a favorite among…
Regardless of the genre, Southern California is a hotbed for musical inspiration. Punk is no exception, as our next selection is the region’s undisputed king of their early Punk scene, X.
Like Nick Drake before him, Elliott Smith made a living making introspective and often morose songs.  Smith touched many a soul by digging inside of his own.  Sadly, as much as he sang of his depression, he was unable to control it and like so many artists he died young although it is still uncertain whether it was suicide (though likely).  As…
In earlier entries (Jan & Dean and Hall & Oates) we spoke of how successful those duos were. If we were add to a third into the discussion of the most successful duo on this list it would have to be the English pair of Roland Orzabal and Kurt Smith, best known to audiences as Tears for Fears 
As this list is peppered with acclaimed guitarists, there can be an argument made that few were on the level of Rory Gallagher. The Irishman was an avid student of the American Blues and was able to take that style of music to dimensions not previously looked at. Gallagher did not really try to penetrate the American market, but he…
When the idea for a Rock and Roll Hall of Fame was first conceived many bands likely came to mind right away. Some artists who performed in the same era probably received no consideration at all as they were dismissed as juvenile and fluff. Some of those bands may very well fit that bubblegum image but others upon time have…
In a previous entry we mentioned that Metallica’s entry to the Rock and Roll Hall of Fame we questioned whether this could be the catalyst to induct Slayer as the second member of the “Big Four of Thrash Metal”. We still think they have the best shot of the remaining four, but if they look towards innovation than Anthrax may…
The term “diva” is a common used term these days. Sometimes the connotation is positive, sometimes negative, but for the legend named Diana Ross (who has been called the first Pop diva) both connotations may have been accurately applied.
Although Gorillaz only “exist” in the virtual world, their success in the commercial world was quite extensive.  Created by Blur frontman, Damon Albarn and visual designer, Jamie Hewlett, Gorillaz (along with their multiple collaborators) the blend of Alternative Hip Hop, Trip Hop and Electronica received nearly as much critical love as Albarn’s band, Blur did, and had their not been…
Much like anything in the music world, even the simplest debates can become so complicated. Since it is still in debate just who or what songs really shaped Rock and Roll, we will throw in another ambiguous first, that of band often dubbed the first great underground band, Love.
What if your greatest hit was barely a reflection of your body of work? This could be the case for Los Lobos, whose cover of La Bamba was by far their largest hit, but was a poor representation of what this band was really about.
If you excuse the pun, Bone Thugs-N-Harmony was easily the most melodic of the big name rap stars of the Mid-90s, which allowed the Gangsta Rap influenced group to combine that with pop sensibilities.  The result was number one albums and a rewriting of what deep Hip Hop could sound like.  This allowed this group to be a unique combination…