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Rock and Roll (588)

Music.  It has the ability to bring people together.  It can stir up hidden emotions.  It can cause you to get up and physically move.  It can help you through your work day.  It separates generations.  We could describe it for page after page in terms both specific and vague but music simply means different things to different people.  Likely, many of these things were on the mind of the builders of the Rock and Roll Hall of Fame in Cleveland, Ohio, a tribute to those who built up the genre of Rock and Roll.

Their intentions certainly seemed clear enough.  Their website states that “The Rock and Roll Hall of Fame honors the legendary performers, producers, songwriters, disc jockeys and others who have made rock and roll the force that it is in our culture”.  For our purposes, we are going to focus on the performer section of the Hall.  That being said, the first rule of eligibility is very simple.  Once an artist has gone twenty five years after the release of their first record, they become eligible.  After that it becomes a little murky.  The Rock and Roll Hall of Fame states that “criteria include the influence and significance of the artists’ contributions to the development and perpetuation of rock and roll”.  Influence and significance is certainly open to interpretation.  For that matter, so is Rock and Roll.  When Bill Haley sang Rock around the Clock over sixty years ago was he describing a sound, a look or maybe just an attitude?  Did the songwriters just like the word “rock”?  The origin of Rock music is so difficult to pinpoint its subsequent evolution is just as equally hard to chart.

With these vague parameters we at Not in Hall of Fame put our own committee together and came up with the top 250 artists whom we feel deserve consideration for enshrinement in Cleveland.  Are we right?  Are we wrong?   We know two things for sure; the first is that while compiling this list we felt we could make a viable case for multiple artists to be in our number one slot, the second was that it was a blast coming up with it.  Let us know what you think and based on who gets inducted, who becomes newly eligible, your opinions and how our own perceptions change, we will see how we rank them in the following year.    

Until then, Keep on Rockin’ in the Free World!

Sincerely,

 

The Not in Hall of Fame Rock and Roll Committee.

The NIHOF Committee knew that we had would be placing many artists that achieved limited commercial success. Yet when we looked at Big Star, we just couldn’t figure out why they never did hit the mainstream. Had they achieved more than just critical acclaim, they would likely be in the Hall already.
From the powerful music scene of New York City, the Strokes ushered in a revival of the garage sound, yet did so with a musical precision far beyond that of their forefathers. NYC gave the world the Velvet Underground, the Ramones, and Television, and the Strokes sounded like they were an early 2000’s band that could have only existed in…
One of the most critically respected female artists of the last thirty years, P.J. Harvey could be classified in so many ways.  Singer/Songwriter.  Lo-Fi Superstar.  Alternative Goddess.  Frankly, we could come up with so many more.  
In earlier selections the NIHOF committee debated the merits of artists who never had success commercially be it because they were ahead of their time or just did not receive support from their label. In the case of Captain Beefheart there likely was no point in time (past, present or future) in which he could have been a commercial success.…
When it comes to passionate fanbases there are few that can match up with Korn, the Nu-Metal band (a label they are not fond of) from Bakersfield, California.
The Progressive Rock question returns again with an act that could have had the biggest hit of the genre in “A Whiter Shade of Pale”. That song may not only have been Progressive Rock’s biggest hit; it may have been the first real one too.
How many artists on this list have melded multiple styles that resulted in unique music and critical acclaim? Quite a few of course, though if we had to subject one on this list that may have combined the most styles, Little Feat could be that candidate.
We remember a bit from Wayne’s World where Wayne Campbell discussed how in the 70’s the Fleetwood Mac album, Rumors (in another bit he inputted Frampton Comes Alive) was shipped to every house. He very well could have inputted Boston’s debut album which likely was found in most turntables in suburbia. No joke, that album really was that big.
Although Sleater-Kinney was not the first Riot Grrl band (or to some even a Riot Grrl band at all), they emerged as one of the highest regarded feminist based Indie Rock bands ever.  The band was poignant and powerful and could generate attention for their causes (regardless of what they were) with equal parts melody and articulation.   This was a group loaded…
Our introduction to our Rock and Roll list depicted the ever changing face of what Rock and Roll is or was. There are artists on this list with whom we expect to hear a roaring cry that they are not “Rock and Roll”. We doubt we will hear that with Steppenwolf.
It are groups like Daft Punk that make us love putting together this website and more specifically the list of those worth considering for the Rock and Roll Hall of Fame.
When many people first heard Stone Temple Pilots, they were quick to label them as knock-offs of Nirvana and Pearl Jam.  This was an unfair tag, as there were many Grunge bands who came out around the same time, and this was a band who stuck around for an extended period of time and left behind a long lasting series…
Considering how much Western Pop Culture is inundated with Australians, we would have thought we would have had an Australian act by now. Instead, our first selection from “Down Under” was on the brink of flirting with being the biggest band in the world at one point. It didn’t happen, but it is hard pressed to find anyone who can’t…
We have to admit that we were all shocked that Leonard Cohen got inducted into the Rock and Roll Hall of Fame. It isn’t that we did not feel that he deserved it on some level; it is just that we did not think that this was an artist that the Hall would ever nominate let alone induct. With Cohen’s…
Sometimes, you can’t associate music to a region. Coming from the American South, The B-52’s redefined what music was supposed to be from there. Then again, nothing was ever typical with the B-52’s.
There is no rule in music that says that you have to be a commercial success to make a difference. Hüsker Dü fits that category as they were considered influential by countless bands though they themselves never really broke past cult status.
Again we find ourselves with a band that achieved great success on the charts yet were not darlings of the critics. Yet as successful as Three Dog Night were in the early 70’s, they are barely known by today’s generation. Funny, they were not always so anonymous.
The next choice generated more debate from us in terms of their genre and not so much in terms of the band itself. Mötley Crüe was one of the many Metal bands to come out of L.A., but they were likely the band most closely associated with Hair Metal, and the debate we had is just how worthy that genre…
If you were to ask many music fans in 1990 or 1991 which band truly defined “Alternative” many would point to Jane’s Addiction. With a funky hybrid of Metal, Punk and Folk the provocative band took the music world by storm in the late 80’s.
How much chance does a band have to get into the Rock and Roll Hall of Fame if they are best known for wearing funny hats? To many, Devo was just a one hit wonder who looked like they wore garbage bags and had flower pots on their heads. Of course, their fans knew they were much more.