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Rock and Roll (591)

Music.  It has the ability to bring people together.  It can stir up hidden emotions.  It can cause you to get up and physically move.  It can help you through your work day.  It separates generations.  We could describe it for page after page in terms both specific and vague but music simply means different things to different people.  Likely, many of these things were on the mind of the builders of the Rock and Roll Hall of Fame in Cleveland, Ohio, a tribute to those who built up the genre of Rock and Roll.

Their intentions certainly seemed clear enough.  Their website states that “The Rock and Roll Hall of Fame honors the legendary performers, producers, songwriters, disc jockeys and others who have made rock and roll the force that it is in our culture”.  For our purposes, we are going to focus on the performer section of the Hall.  That being said, the first rule of eligibility is very simple.  Once an artist has gone twenty five years after the release of their first record, they become eligible.  After that it becomes a little murky.  The Rock and Roll Hall of Fame states that “criteria include the influence and significance of the artists’ contributions to the development and perpetuation of rock and roll”.  Influence and significance is certainly open to interpretation.  For that matter, so is Rock and Roll.  When Bill Haley sang Rock around the Clock over sixty years ago was he describing a sound, a look or maybe just an attitude?  Did the songwriters just like the word “rock”?  The origin of Rock music is so difficult to pinpoint its subsequent evolution is just as equally hard to chart.

With these vague parameters we at Not in Hall of Fame put our own committee together and came up with the top 250 artists whom we feel deserve consideration for enshrinement in Cleveland.  Are we right?  Are we wrong?   We know two things for sure; the first is that while compiling this list we felt we could make a viable case for multiple artists to be in our number one slot, the second was that it was a blast coming up with it.  Let us know what you think and based on who gets inducted, who becomes newly eligible, your opinions and how our own perceptions change, we will see how we rank them in the following year.    

Until then, Keep on Rockin’ in the Free World!

Sincerely,

 

The Not in Hall of Fame Rock and Roll Committee.

Weezer never looked like Rock Stars, and there in may have laid the charm of the what are the geekiest looking musicians of the last tthirty years.  With catchy guitar hooks riddled with tales of nerdy love, Weezer became an instant sensation.  Interestingly enough, even their failures have become successful.  Their maligned sophomore album, Pinkerton, was destroyed by critics but has…
The next selection found the NIHOF committee reminiscing a little bit more than some of our other selections. It seemed we all had an older sibling or knew of one with a worn out vinyl of Breakfast in America. They were like comfort food; they may not have been the best out there, but Supertramp just felt so comfortable to…
We find that with our next selection that some things just don’t translate; even if it is in the same language. The music of The Jam fits that description, because as huge as they were in their native England, they just couldn’t find a substantial audience in North America.
Many a Rock Star likely grew up with dreams of becoming one. In the case of the Replacements, we wonder if they dreamed about how to screw it up.
They say that in some cases the sum is greater than its parts. In terms of rock bands this is often true. But what if the parts still did other things after it left the sum? Okay, that was convoluted, but with The Guess Who, we think that this statement holds some water.
The NIHOF Committee knew that we had would be placing many artists that achieved limited commercial success. Yet when we looked at Big Star, we just couldn’t figure out why they never did hit the mainstream. Had they achieved more than just critical acclaim, they would likely be in the Hall already.
As shown by our earlier and later inclusions we don’t have a problem listing artists (in varying capacities) twice. Already on this list as a member of Roxy Music, Brian Eno would probably be in our top five should we ever get around to listing producers but for now we will settle for a solid top fifty rank for his…
In earlier selections the NIHOF committee debated the merits of artists who never had success commercially be it because they were ahead of their time or just did not receive support from their label. In the case of Captain Beefheart there likely was no point in time (past, present or future) in which he could have been a commercial success.…
The Progressive Rock question returns again with an act that could have had the biggest hit of the genre in “A Whiter Shade of Pale”. That song may not only have been Progressive Rock’s biggest hit; it may have been the first real one too.
One of the most critically respected female artists of the last thirty years, P.J. Harvey could be classified in so many ways.  Singer/Songwriter.  Lo-Fi Superstar.  Alternative Goddess.  Frankly, we could come up with so many more.  
When it comes to passionate fanbases there are few that can match up with Korn, the Nu-Metal band (a label they are not fond of) from Bakersfield, California.
We remember a bit from Wayne’s World where Wayne Campbell discussed how in the 70’s the Fleetwood Mac album, Rumors (in another bit he inputted Frampton Comes Alive) was shipped to every house. He very well could have inputted Boston’s debut album which likely was found in most turntables in suburbia. No joke, that album really was that big.
How many artists on this list have melded multiple styles that resulted in unique music and critical acclaim? Quite a few of course, though if we had to subject one on this list that may have combined the most styles, Little Feat could be that candidate.
Although Sleater-Kinney was not the first Riot Grrl band (or to some even a Riot Grrl band at all), they emerged as one of the highest regarded feminist based Indie Rock bands ever.  The band was poignant and powerful and could generate attention for their causes (regardless of what they were) with equal parts melody and articulation.   This was a group loaded…
Our introduction to our Rock and Roll list depicted the ever changing face of what Rock and Roll is or was. There are artists on this list with whom we expect to hear a roaring cry that they are not “Rock and Roll”. We doubt we will hear that with Steppenwolf.
When many people first heard Stone Temple Pilots, they were quick to label them as knock-offs of Nirvana and Pearl Jam.  This was an unfair tag, as there were many Grunge bands who came out around the same time, and this was a band who stuck around for an extended period of time and left behind a long lasting series…
It are groups like Daft Punk that make us love putting together this website and more specifically the list of those worth considering for the Rock and Roll Hall of Fame.
Considering how much Western Pop Culture is inundated with Australians, we would have thought we would have had an Australian act by now. Instead, our first selection from “Down Under” was on the brink of flirting with being the biggest band in the world at one point. It didn’t happen, but it is hard pressed to find anyone who can’t…
There is no rule in music that says that you have to be a commercial success to make a difference. Hüsker Dü fits that category as they were considered influential by countless bands though they themselves never really broke past cult status.
Again we find ourselves with a band that achieved great success on the charts yet were not darlings of the critics. Yet as successful as Three Dog Night were in the early 70’s, they are barely known by today’s generation. Funny, they were not always so anonymous.