gold star for USAHOF

Rock and Roll (600)

Music.  It has the ability to bring people together.  It can stir up hidden emotions.  It can cause you to get up and physically move.  It can help you through your work day.  It separates generations.  We could describe it for page after page in terms both specific and vague but music simply means different things to different people.  Likely, many of these things were on the mind of the builders of the Rock and Roll Hall of Fame in Cleveland, Ohio, a tribute to those who built up the genre of Rock and Roll.

Their intentions certainly seemed clear enough.  Their website states that “The Rock and Roll Hall of Fame honors the legendary performers, producers, songwriters, disc jockeys and others who have made rock and roll the force that it is in our culture”.  For our purposes, we are going to focus on the performer section of the Hall.  That being said, the first rule of eligibility is very simple.  Once an artist has gone twenty five years after the release of their first record, they become eligible.  After that it becomes a little murky.  The Rock and Roll Hall of Fame states that “criteria include the influence and significance of the artists’ contributions to the development and perpetuation of rock and roll”.  Influence and significance is certainly open to interpretation.  For that matter, so is Rock and Roll.  When Bill Haley sang Rock around the Clock over sixty years ago was he describing a sound, a look or maybe just an attitude?  Did the songwriters just like the word “rock”?  The origin of Rock music is so difficult to pinpoint its subsequent evolution is just as equally hard to chart.

With these vague parameters we at Not in Hall of Fame put our own committee together and came up with the top 250 artists whom we feel deserve consideration for enshrinement in Cleveland.  Are we right?  Are we wrong?   We know two things for sure; the first is that while compiling this list we felt we could make a viable case for multiple artists to be in our number one slot, the second was that it was a blast coming up with it.  Let us know what you think and based on who gets inducted, who becomes newly eligible, your opinions and how our own perceptions change, we will see how we rank them in the following year.    

Until then, Keep on Rockin’ in the Free World!

Sincerely,

 

The Not in Hall of Fame Rock and Roll Committee.

When Beck’s first hit, “Loser” first came out, a lot of people (some of us included) wanted to pigeon hole him as a novelty act.  Once we kept listening to him, many of us wanted to re-label him as a musical genius.
When the Wu-Tang Clan arrived in 1993, they rewrote the book on how Rap was to be done.  As a collection of MC’s, Wu-Tang became stars immediately and their collection of rappers would become the equivalent of a Rapping All Star Team. 
At some point the Rock and Roll Hall of Fame will have to address the Brit Pop phenomenon of the 1990’s.  Although Oasis is most likely to get that nod from the Hall (should it ever come and based on the way the Hall has treated the British heavyweight from the 1980’s), Blur could be the band that gets it…
We find that with our next selection that some things just don’t translate; even if it is in the same language. The music of The Jam fits that description, because as huge as they were in their native England, they just couldn’t find a substantial audience in North America.
Weezer never looked like Rock Stars, and there in may have laid the charm of the what are the geekiest looking musicians of the last tthirty years.  With catchy guitar hooks riddled with tales of nerdy love, Weezer became an instant sensation.  Interestingly enough, even their failures have become successful.  Their maligned sophomore album, Pinkerton, was destroyed by critics but has…
If any band on this list might get in based on the sum of their parts, it could very well be Bad Company; considered one of the first true Supergroups of the 1970’s. Coincidently, it might be their best way to get in too.
The next selection found the NIHOF committee reminiscing a little bit more than some of our other selections. It seemed we all had an older sibling or knew of one with a worn out vinyl of Breakfast in America. They were like comfort food; they may not have been the best out there, but Supertramp just felt so comfortable to…
The NIHOF Committee knew that we had would be placing many artists that achieved limited commercial success. Yet when we looked at Big Star, we just couldn’t figure out why they never did hit the mainstream. Had they achieved more than just critical acclaim, they would likely be in the Hall already.
Many a Rock Star likely grew up with dreams of becoming one. In the case of the Replacements, we wonder if they dreamed about how to screw it up.
The Singer/Songwriter movement of the 70’s produced many great artists. Although, our next selection, Warren Zevon is primarily known for just one song “Werewolves of London” my many people, a deeper look at his career shows a man who was among the most respected of his genre.
As shown by our earlier and later inclusions we don’t have a problem listing artists (in varying capacities) twice. Already on this list as a member of Roxy Music, Brian Eno would probably be in our top five should we ever get around to listing producers but for now we will settle for a solid top fifty rank for his…
In earlier selections the NIHOF committee debated the merits of artists who never had success commercially be it because they were ahead of their time or just did not receive support from their label. In the case of Captain Beefheart there likely was no point in time (past, present or future) in which he could have been a commercial success.…
They say that in some cases the sum is greater than its parts. In terms of rock bands this is often true. But what if the parts still did other things after it left the sum? Okay, that was convoluted, but with The Guess Who, we think that this statement holds some water.
The Progressive Rock question returns again with an act that could have had the biggest hit of the genre in “A Whiter Shade of Pale”. That song may not only have been Progressive Rock’s biggest hit; it may have been the first real one too.
When it comes to passionate fanbases there are few that can match up with Korn, the Nu-Metal band (a label they are not fond of) from Bakersfield, California.
One of the most critically respected female artists of the last thirty years, P.J. Harvey could be classified in so many ways.  Singer/Songwriter.  Lo-Fi Superstar.  Alternative Goddess.  Frankly, we could come up with so many more.  
We hate using an American Idol reference but how many times does Simon and company tell the contestants after they nailed a performance that “they made the song their own”. Somehow, this just seemed like the right quote for Joe Cocker.
How many artists on this list have melded multiple styles that resulted in unique music and critical acclaim? Quite a few of course, though if we had to subject one on this list that may have combined the most styles, Little Feat could be that candidate.
Although Sleater-Kinney was not the first Riot Grrl band (or to some even a Riot Grrl band at all), they emerged as one of the highest regarded feminist based Indie Rock bands ever.  The band was poignant and powerful and could generate attention for their causes (regardless of what they were) with equal parts melody and articulation.   This was a group loaded…
We remember a bit from Wayne’s World where Wayne Campbell discussed how in the 70’s the Fleetwood Mac album, Rumors (in another bit he inputted Frampton Comes Alive) was shipped to every house. He very well could have inputted Boston’s debut album which likely was found in most turntables in suburbia. No joke, that album really was that big.