Since he was a young teen, Jack was able to slowly move up in the industry, step by step. Starting as a teenage disc jockey, by 18 he was working on the “Tennessee Barn Dance” show. Then he moved to Atlanta to form his own band, which lasted for 8 years. Moving back to Tennessee, he headed to Nashville this time and eventually ended up joining the backing band of country legend Ernest Tubb (1965 Hall Of Fame inductee). After a few years with them, Tubb told him to try for his own solo career. His first hit song (“There Goes My Everything”) became a country music standard, a pop hit, helped Jack get 4 CMA award wins, 4 Grammy nominations, and began a string of hit songs that would make Jack one of the biggest artists in the genre at the time. Jack’s career didn’t end up lasting for decades, but with hit songs, awards, and being an all-around well-liked guy, that sounds like a recipe for making it in the Hall one of these days.

As a child, Slim enjoyed the country music he heard on the radio but didn’t even think of a musical career for himself. Singing only came up while he was in the Navy. He’d sing to entertain the members of his own ship. His singing was so well received that his captain blocked his transfer to another boat (this saved his life as the boat he would’ve been going to ended up sinking). After World War II, he did odd jobs around Tampa while working on his music career. A talent manager heard him sing on the radio and he got signed to RCA records. He was never big on singing depressing country tunes, and always preferred soft, romantic songs that allowed him to show off his smooth, three-octave falsetto and yodeling abilities. His style was called “countrypolitan”. Whitman was never as big in the U.S. as he was in Europe and Australia, but he did have a solid number of hit songs on the U.S. charts. He also got a resurgence in the late 1970’s and 80’s when television ads for his albums began coming out. One of his albums became the biggest-selling tv advertised album in history, and he was in the public eye again for a little while. With his excellent voice, millions sold and worldwide fame, there should be a plaque with his name on it at some point in the future.

Being the 3 youngest of six children, Tompall, Jim and Chuck Glaser began singing together and were playing county fairs when they were just preteens. From a modern perspective, their radio career was never one that set the charts on fire, but they were always firmly planted in the ‘outlaw scene’ of the 1970’s country music industry. Their harmonies were considered some of the best in the genre, so when they were starting out they got most of their work as background singers, singing on records for Marty Robbins and Johnny Cash among other people. Always knowing that they wanted to do their own thing outside of the Nashville machine, the brothers formed a publishing company in 1962. They were signing on songwriters that other studios were ignoring, including John Hartford (Hartford would go on to write “Gentle On My Mind”, a signature song for Glen Campbell and one that has been recorded by over 300 other artists). Then, after charting a few of their own songs in the late 1960’s, the Glaser brothers opened their own full studio. It housed a publishing company, a production company, a talent agency and design services for album covers. This place was a haven for artists as it allowed them to have more creative control over their music and their music careers. Artists like Mel Tillis, Jimmy Buffett and Kenny Rogers all recorded there. When Chuck had a stroke in 1975, Tompall and Jim went off for solo careers for a few years before the trio came back together in 1980. To summarize, Tompall Glaser & the Glaser Brothers never got a number one song (though they got a couple top tens), but what they were able to do was open up avenues in country music for other artists to flourish. For that, they are deserving

Now John Denver is an interesting case. Starting out his musical journey in the folk-pop realm (similar to a group like Peter, Paul & Mary), he joined the Mitchell Trio in 1965 and then went solo four years later. During these first few solo years, he was recording folk songs that were becoming massive pop hits like “Take Me Home, Country Roads” and “Rocky Mountain High”. Those songs were lighting up the pop charts and selling millions, but they were doing nothing in the country realm. It would not be until years later (after Denver’s success in country music) that a song like “Take Me Home, Country Roads” would go on to be considered a classic of the country music genre. Then, by 1974, the Nashville industry seemed to think that John’s music suited the genre now and he began to get hits on the country charts. But not only had he been opened up to hits on the country charts, but he was also welcomed into the entire country scene receiving ACM awards and CMA awards (including the CMAs giving him ‘Entertainer Of The Year’). There was, of course, backlash among some in the genre that there would be a pop star getting country hits (look up the John Denver/Charlie Rich CMA issue), but as years have passed he is very much seen as a country-pop singer now. Then, after all of this, John’s success on all charts was fading by the end of the 1970’s. He got a couple more hits in the 80’s, but that would be it for chart-toppers. Nowadays, as his name has been brought up in consideration for induction, that John would be honoured but not 100% satisfied being added to the Hall Of Fame because he considered himself more of a folk artist than a country one. That is a fair point, but being one of the biggest singers of his era, selling millions of records, getting a number of hits, and singing country music classics should mean that he deserves a spot in the Country Music Hall Of Fame either way.