Although they were though of us primarily as a British New Wave band, ABC actually drew from a lot of American R&B to create their music. This sleek amalgamation was created some of the catchier Synth Pop of the era which also charted well. Many of the New Wave associated bands had a short shelf life, though ABC had a fairly decent run. They didn’t make it to the 90’s, but reflection of their era has generated new respect for them.

Generally the Singer/Songwriter draws much critical acclaim and praise, but in the case of Harry Chapin his popularity far outweighed the critical top ten lists. Chapin was the late season “Hawkeye from M*A*S*H” as his oversensitive and maudlin lyrics struck a chord with many fans and turned away others with his sappiness. However, the fans that Chapin did have were among the most devoted of the Singer/Songwriter genre and if that counts for something than the Hall could come calling.

If you try to find any write up about Foghat that did not describe them as a basic Blues Rock band it might be the first one ever written. In some circles in the 70’s it wasn’t considered cool to be a straight up Rock band, but to those who were into “uncool” music, Foghat delivered some pretty good material. It likely won’t be enough to get them into the Hall, but they have a pair of hits that looks like will live on long after this debate ends.

Following his departure from Depeche Mode and the disbanding of Yaz, Vince Clarke probably found his best creative outlet when he formed Erasure with Andy Bell. Here, Clarke was able to create his brand of Dance-Pop which bordered on the fringes of the Alternative ideal. After a weak initial effort, Erasure pounded the charts with numerous singles and had a great run in the late 80’s. Erasure is however well behind other dance based acts on the long list for induction, and Clarke’s best shot would be if he would be inducted with Depeche Mode.