Without a doubt, the most eccentric Rock star of the Golden Age, Screamin’ Jay Hawkins was a true original. With an ominous baritone voice, stage props such as coffins and skulls, Hawkins became an underground Rock star who terrified mainstream America. Screamin’ Jay had no real hits (barring I Put a Spell on You) of note, but his main contribution to the world of Rock and Roll was the use of theatrics. Musically, Hawkins is hardly the most copied artist on this list, but in terms of image he might be.

The Guitar Man, Johnny Winter was as recognized by his ability to master the Blues as he was for his albino appearance. Winter was easily among the most talented Blues guitarists of his generation and his musical legacy saw him take his guitar across every variation of the Blues imaginable. Winter did have some chart success and had he chose to record more Album oriented Rock his popularity would have grown, but does any great Blues man really seek mass popularity?

Before there was the “Geek Rock” of Weezer, The Feelies crashed Post Punk with an Alternative Pop band that seemed to capture the imaginations of the introspective and bespectacled American youth. With nervous energy they were underground darlings but were devoid of a hit single that could have made them stars. They did have two acclaimed albums six years apart that inspired current Hall members, R.E.M. and with a first ballot band championing their cause, they might receive a peek.

There should be little doubt that Steve Winwood has earned his place in the Hall for his work in Traffic. What has been in doubt is whether he deserves induction a second time for either his work with other bands or as a solo artist. Although Winwood achieved a lot of success during the 80’s for his solo work, it lacked the Soul and Blues infusion that his efforts with Traffic, Blind Faith or the Spencer Davis Group. Although the overall career of Steve Winwood was brilliant, his solo career may not necessarily be Hall worthy. Having said that, should the Hall wish to induct him a second time (for either solo or other bands), it would not come out of left field.