Like many successful Jam bands, Phish enjoys a devoted fan base, and like any top improvisational group, the genres they draw from are quite diverse. Each Phish concert can count on Rock, Jazz, Progressive Rock, Bluegrass, Reggae, Country and Blues infusions throughout the sets, and they always seem to draw a crowd as unique as their music. As such, comparisons to the Grateful Dead are commonplace and if any band could come close to drawing any kind of accurate comparison (in terms of culture, though not necessarily in terms of musical style) it would be Phish). Although they do have a massive following, a Phish catalogue does not have any traditional “hits” and there might be an incorrect assumption that the “Jam Band” category is filled in Cleveland.

From the Heartland of America, Melissa Etheridge’s initial efforts drew comparisons to other American icons like Bruce Springsteen, John Mellencamp, and the equally raspy voiced, Janis Joplin. Although, those albums were successful, it was after she disclosed her sexual orientation that she became an icon herself, as her earnestness in her lyrics took on a new level. Musically, she may not have done enough to get into the Hall, but her gender does work in her favor as Cleveland lacks female talent. As the artists she is often compared to, are already inducted, Etheridge’s place in the Hall is very possible.       

From the ashes of the Proto Grunge band, Green River, Mudhoney was formed and in a few ways was Grunge’s first success story. The Seattle band picked up the local sound and was the first to have any real taste of success for the burgeoning Sub Pop label. With an influx of ears turning to College and Underground music, Mudhoney was a band that helped crack open doors that their Seattle brethren crashed open. Time has shone a solid light on this band, and though they are not likely Cleveland bound, their place in music history is entrenched.

We can’t imagine that anyone would doubt that should Morrissey crack the Rock and Roll Hall of Fame, it should be with the Smiths before his own solo career. Despite that statement, Morrisey’s solo efforts generated multiple hit singles (in England) and spawned critically acclaimed albums. His lyrics remained poignant, and with a voice as unique and as powerful as his, gaining attention was never a problem. Again we state, that his candidacy for the Hall really should only begin (once or if) the Smiths get inducted.