gold star for USAHOF
Site Admin

Site Admin

255. Steve Winwood

There should be little doubt that Steve Winwood has earned his place in the Hall for his work in Traffic. What has been in doubt is whether he deserves induction a second time for either his work with other bands or as a solo artist. Although Winwood achieved a lot of success during the 80’s for his solo work, it lacked the Soul and Blues infusion that his efforts with Traffic, Blind Faith or the Spencer Davis Group. Although the overall career of Steve Winwood was brilliant, his solo career may not necessarily be Hall worthy. Having said that, should the Hall wish to induct him a second time (for either solo or other bands), it would not come out of left field.

587. The Bar-Kays

A band that has a much longer career than most people realizes, the Bar-Kays have a diverse catalogue of music that spanned through Memphis Soul, R&B and Funk. They cut their teeth as one of the main backing bands for various artists at Stax records, but it was not long before they recorded their own material. The band overcame tragedy when the majority of their members were killed in the same plane crash that took Otis Redding, but after the remaining members rebuilt the band they continued to have a long and prosperous career. Considering the amount of genres that they conceivable represent, they are not impossible for induction.

351. .38 Special

As one of the most successful Southern Rock bands, .38 Special’s brand of Southern Fried Pop was a successful recipe for success in the 80’s. Basically a cross between Lynyrd Syknyrd and Arena Rock, .38 Special’s playful hits found a wide variety of fans as they could appeal to Hard Rock, Country and Pop crowds. Their drawback was that they were not considered a “deep” enough band, and with Skynyrd and the Allmans already in, the debt to Southern Rock may be filled with bands that the Hall considers more textured.

591. Crass

If any band could have been classified as too Punk for Punk, it may have been the leaders of the Anarchist Punk Movement, Crass. This was a band that did not just sing about anarchy and change; they lived it. There was no topic they did not have an opinion on and they followed what they believed was Punk ideology to the letter. With such hardcore beliefs, Crass was never capable of reaching any level of the mainstream but there was no band on this list that would have rejected more than this band (and there are some on this list who certainly would have). The rejection letter they would send the Rock and Roll Hall of Fame upon any induction would make the Sex Pistols seem tame by comparison. Of course, the chances of Crass getting that invite are next to nonexistent anyway.