Plucked from musical obscurity by Clint Eastwood when he used one of her songs on his film, Play Misty for Me, Roberta Flack’s smooth and soulful voice quickly found audiences on both the Pop and R&B stations. Flack could appeal to any audience and her sophisticated voice and classy exterior made her style of music some of the most romantic and sensual ever done.

Seeming poised for eternal greatness, Fine Young Cannibals had a monster album in the late 80’s that appealed to both mainstream and independent audiences. They never did follow up with anything big; not because they failed but because they never tried. Fine Young Cannibals quietly disappeared and had they stayed together, we can’t help but think they had the potential to be way higher on this list.

The Bullet Points:

Eligible Since:

2010

Country of Origin:

United Kingdom (Birmingham, England)

Nominated In:

Never

NIHOF’s Favorite Album:

The Raw and the Cooked (1989)

NIHOF’s Favorite Song:

Originally a Glam Rock band, it was not until Japan embraced Synth Pop that they really hit their stride. Combining exotic influences with an Electronic sound, Japan was making some interesting music that was defining the New Romantic genre. Synth Pop hasn’t seen an inductee yet and the odds of the perceived pretentious Japan likely won’t be the gate crasher for the genre.

The Philly Soul sound which has been ignored by the Hall thus far could find an entrant in the Delfonics whose smooth Soul was among the sleekest of the era. With a sensual tone that still had innocence around it, the Delfonics have been sampled regularly and as such have stayed a little bit more in the public consciousness than some of the other Philly Soul acts. They probably won’t be the second Philly Soul entry into the Hall, though it would not be a crime if they were.