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Kiss

In the over the top decade of the 70’s KISS were among the flashiest and you could not turn around without seeing their painted faces everywhere. Opinions on whether this theatrical band should be in the Hall are very strong on both the pro and con. Their fervent supporters will point to their massive record sales, vibrant concerts and thirty years plus of longevity as vital reasons for their cause. Their detractors will point to their lack music’s lack of depth and that they were little more than a gimmick band. Fact is; both camps are right. Paul Stanley & Gene Simmons will never be confused for John Lennon & Paul McCartney or Keith Richards & Mick Jagger but to their millions of fans their music is pure escapism and their definition of what Rock music is all about. And while yes, their kabuki style make up was a gimmick…well, it was one hell of a gimmick!
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4. New Order

With our next selection we had a bit of an internal debate. We were very tempted to merge the work of Joy Division and New Order to form one entry. There is a precedent for this as the Rock and Roll Hall of Fame collectively inducted Parliament and Funkadelic but unlike the aforementioned Funk outfits, New Order began when Joy Division ended and their sounds were different enough to illicit separate entries.
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Deep Purple

When the idea for this website was in its infancy, the first thing we did was figure who out all the eligible artists who are not in the Hall.  Many elicited a surprised reaction that they were not enshrined, but Deep Purple received the biggest “they aren’t in yet?” reaction from us. As we discussed the idea of this site with others, Deep Purple’s omission continued to get the most surprised reaction. Considering that budding musicians still cut their teeth to “Smoke on the Water” it is easy to understand why people feel that way about Deep Purple. Probably more than any other band on this list, they just “feel” like they belong in a Rock and Roll Hall of Fame.
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Alice Cooper

As popular music grew, television made it a visual medium. Landmark moments were created; as anyone alive could tell you about the first time they saw the grinding hips of Elvis Presley or waiting in anticipation to see the Beatles on the Ed Sullivan Show. Viewing these icons made fans want to see them more and the era of concerts began. Most artists were content to just play their songs in front of a crowd; Alice Cooper wanted to tell a story. An Alice Cooper concert was not like anything else that had ever been done before. Incorporating elements of horror movies and vaudeville to create an elaborate stage act, his theatrics were combined with an underrated song writing style that appealed to the youth of his generation like few had before. Rock history views Cooper as the father of Shock Rock and a key player in Hard Rock and Heavy Metal’s evolution. The 1970’s brought Alice Cooper a lot of success and considering his influence he certainly appears to have the resume of an enshrined artist in Cleveland. Frankly, we really can’t figure out why it took them so long.
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Rush

To their legions of fans, Rush could be the quintessential definition of Progressive Rock. Through periods of Blues infused Rock, futuristic concept albums, the use of the synthesizer in the 80’s and Alternative Rock, Rush has been able to successfully borrow from multiple styles yet still remain a hard driving Rock band. Any publication that ranks the individual talents of musicians will almost certainly have members of Rush (especially their drummer, Neil Peart) listed in it.
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Kraftwerk

The original number one selection has dropped to number two.  The initial holder of the sardonic title of “the most deserving band or artist who should be in the Rock and Roll Hall of Fame who is currently not in”, may once again top our list despite being a band with limited commercial appeal; weak North American sales; are largely unknown to most people, did not speak English as their first language and quite frankly has a remote chance at best to receive induction into the Rock and Roll Hall of Fame. These German innovators may define best the Rock and Roll HOF’s induction criteria, which includes “the influence and significance of the artists’ contributions to the development and perpetuation of rock and roll”.  Wait, why did they drop from the top slot again?
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