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220. Aphex Twin

Known on his birth certificate as Richard James, Aphex Twin had received the high praise of being called one of the most influential and innovative figures in contemporary Electronic music.  The high acclaim was earned as Aphex Twin pushed the envelope of Acid and Ambience and took the Electronic genre to places never before thought.  The question (as with many other Electronic based performers) is whether the Hall will ever choose to recognize this musical style.

69. Alanis Morissette

When people first heard Alanis it was as a teeny-bop pop princess in the early 1990’s, though that was predominantly only in Canada.

When the rest of the world heard Alanis, she brought back her last name (Morissette) and delivered one of the most successful albums of all-time and became the voice of millions of women.

428. The (Dixie) Chicks

They may have started out as a Bluegrass band, but they evolved into one of the most successful and controversial Country music bands of all time.  They found new success when they added the Pop sound to their traditional Country and with deep thought provoking lyrics they were unique to both Country and Pop.  Considering the political issues they faced in the past, and that they are group with conservative leaning tendencies, this is a band that is far from anything traditional in the Country world.  

193. Ween

It always seemed like Ween was deliberately odd and thrived in producing material that had an Andy Kaufamnesque quality to it.  Their ironic songs gained them fans who reveled in the joking atmosphere and the seemingly self contained world that Ween created.  They never really got past the Underground scene but it is doubtful that they wanted to try to be anything remotely mainstream anyway.  This is not exactly a Hall of Fame resume, but they likely don’t care, and neither would their fans, of which they developed a more loyal following than more than half of the bands who actually got into the Rock and Roll Hall.