Unlike our last three songs that went number one, we have is an instrumental, so at least we know nobody dies.
I will go out on a limb and say that I am probably not the only person who first became aware from “A Theme From A Summer Place” from its use in National Lampoon’s Animal House and not from the film, Summer Place.
I have never seen the film, A Summer Place (I can’t say I intend to), but although its “theme” is not really in my musical wheelhouse, I couldn’t help but then, like I am now to be transfixed by the instrumental by Percy Faith and his Orchestra. Without words, Faith’s lush arrangement tells a story of love, beauty and reminiscing and though it does not have an overpowering note, it has in time “overpowered” the film, as it has been one of those rare cases where three minutes of music is exponentially more remembered than ninety minutes of movie. The song was such a smash that it would be Billboard’s number one song of 1960, the first and to date only song from a movie to win the Record of the Year Grammy, and also is the longest topping instrumental on the Hot 100.
Most of that I already knew before, but as much as I pride my self on my knowledge of 40’s and early 50’s Jazz and Blues, I have to acquiesce that I know so little about the mainstream of that era that I was oblivious to the fact that Faith had reached the top of the chart in 1952 (Delicado) and in 1953 (The Song From Moulin Rouge), the latter of which was also a number one song of the year according to Billboard. This makes Faith one of three acts (the others being the Beatles and Elvis Presley) to have reached the top in two different decades and the only musician ever to have done so in both the pre-rock and rock era, a feat that is impossible to duplicate.
It has also been stated that Percy Faith is the originator of the genre of “Easy Listening”, and while I am not certain that is true, there is something about listening to his music, especially “A Theme From Summer Place” that is soothing, and one of those songs that you could listen to in the dentist chair and does calm you.
You know what, let’s just call Faith the “Godfather of Calm”, because with the amount of research that I have done thus far, investigating the history of elevator music is not high on my to do list.
While Faith generally had success arranging pop standards he would later try his hands at doing the same with rock & roll acts in the 1960’s. While it wasn’t bad, it couldn’t help but feel watered down, and though Percy was not exactly considered an innovator in his day, he had without question become a follower. Faith would die in 1976 and was recording to the end, the last of which would be Summer Place ’76, a disco remake of his most enduring hit.
Oh…one more thing. He is also a Canadian. How did I miss that?
Other Notable Songs that charted but did not go to number one in this time period: February 22, 1960 – April 24, 1960.
2/22/60: Let Them Talk by Little Willie John went to #100 but went to #11 on the R&B Chart.
2/22/60: Sweet Sixteen by B.B. King did not chart in the Hot 100 but did go to #2 on the R&B Chart.
2/29/60: Handy Man by Jimmy Jones climbed to #2 and went to #3 on the R&B Chart.
3/7/60: He’ll Have to Go by Jimmy Reeves reached #2 and hit #1 on the Country & Western Chart.
3/14/60: Just to be With You by The Passions hit #69.
3/28/60: This Magic Moment by The Drifters went to #4 and went to #16 the R&B Chart.
4/4/60: Puppy Love by Paul Anka hit #2.
4/4/60: Baby What You Want Me To Do by Jimmy Reed climbed to #37 and went to #10 on the R&B Chart.
4/18/60: Sweet Nothin’s by Brenda Reed reached #4 and hit #12 on the R&B Chart.
4/18/60: Money (That’s What I Want) by Barrett Strong went to #23 however climbed to #2 on the R&B Chart.
 Technically, it wasn’t the theme from the movie as it was initially a love theme for the two main characters played by Troy Donahue and Sandra Dee.